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Franz Theodor Reizenstein (7 June 191115 October 1968) was a German-born British composer and concert pianist. He left Germany for sanctuary in Britain in 1934 and went on to have his career there, including teaching at the Royal Northern College of Music and Boston University, as well as performing. ==Life and work== Franz Reizenstein's parents were Dr. Albert Reizenstein (1871–1925) and Lina Kohn (b. 1880), both of Nuremberg, Germany. The family was Jewish and counted many professionals and musically inclined people among its members. Reizenstein grew up in Nuremberg and was considered a child prodigy. He composed his first pieces when he was 5, and by the age of 17 he had written a string quartet. His well-to-do and artistic family encouraged him to play chamber music at home. Eventually he was sent to study under Paul Hindemith at the Berliner Hochschule für Musik. In 1934 he emigrated to England at the age of 23 to escape the Nazis, one of nearly 70 Jewish composers to do so from 1933–1945.〔(Michael Haas, "The Emigré Composers" ), Jewish Music Institute, University of London, 2004, accessed 12 June 2010〕 Once in England, he furthered his studies under Ralph Vaughan Williams at the Royal College of Music, and began to incorporate English music into his works. He also studied the piano for eleven years with Solomon Cutner. He eventually became a professor at the Royal Academy of Music and the Royal Northern College of Music (then the Royal Manchester College of Music) in Manchester. Amongst his pupils at the Royal Academy of Music was Philip Martin whom he taught piano and composition. His compositional posts were extended when he was invited for six months as a Visiting Professor of Composition at Boston University in the United States, where there were also special concerts given of his works.〔(Simon Wynberg, "Franz Reizenstein biography" ), Links to bibliography, discography and media; The OREL Foundation, accessed 12 June 2010〕 Reizenstein published his first piece, the Suite for Piano, Op. 6, in 1936. He gained more attention with the "virtuosic and flamboyant" ''Prologue, Variations and Finale'', Op. 12, composed for the violinist Max Rostal.〔 It was inspired by an extended tour which he took to South America (undertaken with another legendary violinist, Roman Totenberg). Reizenstein performed as a pianist as well as working as a composer.〔 At the start of World War II, Reizenstein, as a German, was interned in Central Camp in Douglas, Isle of Man. He continued to compose while within the camp although he was soon released, along with the other internees who did not pose a threat to the British.〔(''Cultural Heritage and Prisoners of War: Creativity Behind Barbed Wire'' ), edited by Gilly Carr and Harold Mytum], available on Google Books〕 He composed several chamber and piano works, which are highly regarded, as well as a number of orchestral works, overtures and concertos (a Concerto for String Orchestra, two Piano Concertos, a Violin Concerto and a Cello Concerto). Reizenstein is best remembered for his Piano Quintet in D major, Op. 23 (1949), of which the critic Lionel Salter wrote in ''Gramophone'' in July 1975: It "stands alongside Shostakovitch's as the most noteworthy of this century's piano quintets."〔 He also wrote two operas, ''Men Against the Sea'' (1949) and ''Anna Kraus'' (1952), and composed lavish orchestral scores for the Hammer horror film ''The Mummy'' (1959) and the cult British horror film ''Circus of Horrors'' (1960). 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Franz Reizenstein」の詳細全文を読む スポンサード リンク
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